Danny Elfman Teaches Music for Film – MasterClass

Danny Elfman Teaches Music for Film Information

Oscar-nominated composer Danny Elfman teaches you his eclectic creative process and his approach to elevating a story with sound.

From The Simpsons theme to the soundtracks of Tim Burton’s Pee-wee’s Big Adventure and The Nightmare Before Christmas, Danny Elfman’s compositions are original, memorable, and exuberantly weird. Now the Oingo Boingo founder and four-time Oscar nominee shares his unconventional (and uncensored) creative process. Step into Danny’s studio and learn his techniques for evoking emotion and elevating a story through music.

Here’s what you’ll learn

1. Introduction

Meet your new instructor: four-time Oscar-nominated composer Danny Elfman. He gives an overview of the class and welcomes you to his surreal and macabre world.

2. Beginnings

Danny wasn’t a classically trained musician before becoming a film composer—and he doesn’t think you need to be, either. He shares his unexpected journey to film composition.

3. Starting Your Score: The Spotting Session

The first day on the job for a film composer is the spotting session, where it’s critical to listen to your director. Danny Elfman explains how to map out your score and determine length, budget, and how to overcome temporary music.

4. Storytelling Through Music

To be a film composer, you must first be a student of cinema and film scores. Danny Elfman highlights how various scores throughout film history have elevated the director’s vision as well as influenced his own work.

5. Themes and Melodies

A theme or melody can be everything and nothing at all; it can come easily or take a long time. Using examples from some of his most well-known scores, Danny Elfman teaches you how to create and identify themes and melodies for your film’s score.

6. Real Time Listening: A Simple Plan

While listening to the score he wrote for A Simple Plan, Danny Elfman walks you through how he crafted it and explains his choices.

7. Instrumentation

There is no right or wrong instrument to convey a certain emotion. Danny Elfman shows you ways you can build tone, energy, and movement through your choices in instrumentation as well as how to treat, prepare, and play your instruments.

8. Tim Burton’s The Nightmare Before Christmas

Writing specifically for a character can be daunting. In this case study, Danny Elfman discusses the process of creating the score for The Nightmare Before Christmas and how he collaborated with Tim Burton to invent Jack Skellington’s story.

9. Workflow

When you have a disorganized mind like Danny’s, studio and project organization are key to a successful career. He shares his process for organizing his studio, how he chooses his software, and the big board that keeps track of his output.

10. Creating Your Template

Identifying the tone of the film can dictate the sounds that make up your template. Danny walks you through how he creates a template from which to build a score, and he tells you how being prepared can help you realize your vision.

11. Insecurity and Instincts

Artists are filled with doubt. Danny talks about how to manage that doubt and move forward. He opens up about his vulnerabilities, how he overcomes them, and how he sharpened his instincts to make better career decisions.

12. Writing Feature Scores

To map out a score, you need to figure out the tone and identify the moments that define the film. Using examples from films of different genres, Danny shows how he reverse-engineered the scores to reflect key moments and the tonal landscape.

13. Changing Your Approach: Milk

Using Milk as a case study, Danny explores how a literal approach to scoring for the script isn’t necessarily the right decision and how improvisation can often be the missing piece to the puzzle.

14. Chasing a Moving Edit

Composing to an evolving film is a challenge. Danny explains how to find the editor’s tempo and rhythm, how to get in to and out of musical phrases, and how to sync to picture.

15. The Devil’s in the Detail

Danny loves the process of detailing. He shows a scene from Lawrence of Arabia to illustrate how sound design and detailing can elevate your score.

16. Real Time Listening: The Unknown Known

Danny listens to the score he made for The Unknown Known and explains how creating the villain’s theme for this documentary was not as straightforward as you might think.

17. On Failure

Even seasoned composers like Danny face failure and have to pick themselves up again. By opening up about a temporary falling-out with Tim Burton, Danny shows how to overcome your ego and persevere in the face of failure.

18. Working With Directors

Collaboration with directors is a subtle art form that Danny has cultivated for more than 35 years. He offers advice on how to talk to your director, present your ideas at playbacks, and receive feedback.

19. Crossing the Line

There is a line between influence, homage, and plagiarism. Danny illustrates how the line is drawn, when you have overstepped the boundaries, and how to rise above and maintain originality.

20. Advice to New Composers

As a composer with no classical training, Danny offers a different perspective on getting into the business. He encourages you to find what makes you unique, pursue what you can do best, and promote that aspect of yourself to be heard.

21. Closing

Danny reflects on the journey he has taken together with you, as an old miner might tell stories around the campfire to young gold seekers before they venture out into the world to strike (cinematic) gold.

About Author

For over 30 years, four-time Oscar nominee Danny Elfman, has established himself as one of the most versatile and accomplished film composers in the industry. He has collaborated with directors such as Tim Burton, Gus Van Sant, Sam Raimi, Peter Jackson, Ang Lee, Rob Minkoff, Guillermo del Toro, Brian De Palma, James Ponsoldt and David O’ Russell.

Beginning with his first score on Tim Burton’s Pee- wee’s Big Adventure, Elfman has scored over 100 films, including: Milk (Oscar nominated), Good Will Hunting (Oscar nominated), Big Fish (Oscar nominated), Men in Black (Oscar nominated), Edward Scissorhands, Batman, To Die For, The Nightmare Before Christmas, Alice in Wonderland, Silver Linings Playbook, American Hustle, Justice League, Spiderman, A Simple Plan, Midnight Run, Sommersby, Dolores Claiborne, and the Errol Morris documentaries The Unknown Known, and Standard Operating Procedure.

Most recently he has provided the music for, Tim Burton film Dumbo for Disney, and The Grinch for Universal, and is currently working on the upcoming film The Voyage of Dr. Doolittle (2020), starring Robert Downey Jr.

A native of Los Angeles, Elfman grew up loving film music. He travelled the world as a young man, absorbing its musical diversity. He helped found the band Oingo Boingo, and came to the attention of a young Tim Burton, who asked him to write the score for Pee-wee’s Big Adventure. 34 years later, the two have forged one of the most fruitful composer-director collaborations in film history. In addition to his film work, Elfman wrote the iconic theme music for the television series The Simpsons and Desperate Housewives.

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